#Tascam 424 mkii manual how to#
7 T rack selection Set the RECORD FUNCTION switch for track 2 to its R position.Ģ0 Step-By-Step-Operation Guide How to Recor d T racks 3 and 4 T racks 3 and 4 can be recorded using almost the same procedure just shown for tracks 1 and 2. 7 Stopping playback Press STOP to stop playing.ġ9 Step-By-Step-Operation Guide 6 Locating tape to zero Making sure that the ZERO RETURN switch is ON, press REW and the tape will rewind to the beginning of the track 1 recording. Y ou'll hear, in center mono, what you have recorded on track 1. 7 Beginning recording Hold RECORD and press PLA Y to initiate recording.ġ8 Step-By-Step-Operation Guide 6 Routing tape signals to T APE CUE Locate the EFFECT 2/T APE CUE level control on channel 1 and slowly turn it to the right. Slowly push the channel 1 TRIM control until the meter peaks at no more than "+6". 11 TRIM adjustment While speaking into the microphone, slowly push the TRIM control in channel 1.ġ7 Step-By-Step-Operation Guide 6 Mic level adjustment Speak into the microphone. 10 Monitor level T urn the MONITOR level control up to the 12 o'clock position. If it is fitted with an unbalanced 1/4" connector, we ’ ll use the front-panel MIC/LINE IN jack.ġ6 Step-By-Step-Operation Guide 9 Monitor selection Press the MONITOR "L-R" switch on. If your dynamic microphone cable has a balanced XLR-type connector, we ’ ll use the rear-panel XLR-type INPUT (L, R) connector. T ape counter : Shows the distance the tape has mov ed from a zero ref erence point.ġ5 Let's T ry the 414 MKII Mixer T o learn how the mixer works, we ’ ll use a microphone as the source. When you use track 4 to record and pla y bac k MIDI sync tones or time code, set to SYNC then the dbx is on f or tracks 1-3, and off on trac k 4. EQ LO W : Cuts or boosts bass frequencies.ġ3 14 POR T ASTUDIO 414 MKII Brief Guide DBX switch : Nor mally, leav e this switch at ON. ✂ Channels 1 thr ough 4 EQ HIGH : Cuts or boosts treb le frequencies. ġ2 11 POR T ASTUDIO 414 MKII Brief Guide For detailed inf or mation on each feature, see "Features and Controls", pp. S.) MIDI-T ape Synchronizer PW -2Y/PW-4Y Insertion Cable HC-1 Head Cleaner & RC-1 Rubber Cleaner (U. TDK SA, Maxell XL-II or equivalent formulations are recommended.ġ0 Optional Accessories RC-30P Remote Footswitc h Head Demagnetizer TZ-261 Cleaning Kit (Except U. This means that for best results, you should only use tapes of this type. The recorder has 4 tracks while the mixer has a stereo output however, using the Direct Recording feature you can record on any or all of the 4 tracks at one time.ĩ T rac k Format and T ape Recommendations T ape T ype The Portastudio 414 MKII is internally adjusted for HIGH BIAS T ype II tape. This CUE mix is totally independent from the Main Mix going to tape.Ĩ Multitrac k Cassette Recor der The 414 MKII records on readily available standard (Philips) Compact Cassette tape, high bias T ype II. This is the most important signal route in the mixer and is called "Main Mix".ħ Understanding the Mix er T ape Cue Monitor System The T APE CUE mix and MONITOR switches are also crucial for successful multitrack recording, because they control what you hear in the headphones. After the MASTER fader they go to the L/R LINE OUT jacks. Ħ Understanding the Mix er Signal Flow in the 414 MKII Mix er The illustration below shows how input signals pass through the 414 MKII Mixer section. It is divided into two major sections: a full-function mixer and a 4- channel, multitrack cassette recorder. The POR T ASTUDIO 414 MKII is a 4-track "Multi- track Master" cassette tape recorder and a full- function mixer with 8 inputs/stereo outputs including a balanced microphone input and a dedicated guitar input combined into a single workstation.ĥ The Recor ding System The POR T ASTUDIO 414 MKII is a complete audio production facility in a single box. 1) Read Instructions - All the safety and operating instructions should be read before the product is operated.Ĥ The POR T ASTUDIO 414 MKII is.
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